King Horror - Dracula Prince Of Darkness/Ghost Hour (7") (New Vinyl)
Jamaican reggae toaster King Horror - likely a former calypsonian by the name of Lord Davey reinventing himself for the UK reggae scene - returns with a 7" reissue of his dread pairing 'Dracula Prince Of Darkness' and the flip 'Ghost Hour'. Produced by cross-genre luminary Laurel Aitken, it captures the playful interplay between Horror's snarling vocal delivery and Aitken's ska-sanded production hand, where Aitken himself may even have stepped in for Davey when unavailable. In a pinched sprinkle of theatrical storytelling and tightened rhythms, blood is drawn from the neck on a feverish organ-ska-dub discovery, where Harker's journey to Transylvania is foreshadowed by terrific room reverb applied to Horror's voice, sinking his vocal teeth down to the depths of Davy Jones' locker.
King Horror - Dracula Prince Of Darkness/Ghost Hour (7") (New Vinyl)
Jamaican reggae toaster King Horror - likely a former calypsonian by the name of Lord Davey reinventing himself for the UK reggae scene - returns with a 7" reissue of his dread pairing 'Dracula Prince Of Darkness' and the flip 'Ghost Hour'. Produced by cross-genre luminary Laurel Aitken, it captures the playful interplay between Horror's snarling vocal delivery and Aitken's ska-sanded production hand, where Aitken himself may even have stepped in for Davey when unavailable. In a pinched sprinkle of theatrical storytelling and tightened rhythms, blood is drawn from the neck on a feverish organ-ska-dub discovery, where Harker's journey to Transylvania is foreshadowed by terrific room reverb applied to Horror's voice, sinking his vocal teeth down to the depths of Davy Jones' locker.
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Description
Jamaican reggae toaster King Horror - likely a former calypsonian by the name of Lord Davey reinventing himself for the UK reggae scene - returns with a 7" reissue of his dread pairing 'Dracula Prince Of Darkness' and the flip 'Ghost Hour'. Produced by cross-genre luminary Laurel Aitken, it captures the playful interplay between Horror's snarling vocal delivery and Aitken's ska-sanded production hand, where Aitken himself may even have stepped in for Davey when unavailable. In a pinched sprinkle of theatrical storytelling and tightened rhythms, blood is drawn from the neck on a feverish organ-ska-dub discovery, where Harker's journey to Transylvania is foreshadowed by terrific room reverb applied to Horror's voice, sinking his vocal teeth down to the depths of Davy Jones' locker.
